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Candle & Crow

March 13, 2024

Coming October 1: Candle & Crow, the final novel of both the Ink & Sigil series and the Iron Druid universe! I’ll continue to write short stories and novellas in the universe as the whim takes me, but this is the last big book that wraps up everything for everyone. Not only do we get resolutions for Al, Buck, and Nadia, but we get final farewells from Atticus, Granuaile, and Owen as well, plus a cameo from Leif Helgarson. And the crow…well, she’s had a wild ride, hasn’t she? And it only gets wilder.

Major props to artist Sarah J. Coleman (@Inkymole on social media) for this gorgeous hand-drawn cover. I have THINGS to SHARE, but take yourself a good gander at it, and then check out the blurbity blurb below:

From the New York Times bestselling author of The Iron Druid Chronicles comes the final book in the “action-packed, enchantingly fun” (Booklist) Ink & Sigil series, as an ink-slinging wizard pursues the answer to a very personal mystery: Who cast a pair of curses on his head?

Al MacBharrais has a most unusual job: He’s a practitioner of ink-and-sigil magic, tasked with keeping order among the gods and monsters that dwell hidden in the human world. But there’s one supernatural mystery he’s never been able to solve: Years ago, someone cast twin curses on him that killed off his apprentices and drove away loved ones who heard him speak, leaving him bereft and isolated. 

But he’s not quite alone: As Al works to solve this mystery, his friends draw him into their own eccentric dramas. Buck Foi the hobgoblin has been pondering his own legacy—and has a plan for a daring shenanigan that will make him the most celebrated hobgoblin of all. Nadia, goth queen and battle seer, is creating her own cult around a god who loves whisky and cheese. 

And the Morrigan, a former Irish death goddess, has decided she wants not only to live as an ordinary woman but also to face the most perilous challenge of the mortal world: online dating. 

Meanwhile, Al crosses paths with old friends and new—including some beloved Druids and their very good dogs—in his globe-trotting quest to solve the mystery of his curses. But he’s pulled in so many different directions by his colleagues, a suspicious detective, and the whims of destructive gods that Al begins to wonder: Will he ever find time to write his own happy ending?

WOOHOO!

I hope you’ll give a gift to your future October self and preorder here, which is a landing page with handy links to all the vendors for hardcover, ebook, and audio (yes, you can preorder the audio now)!

So in my newsletter, Words & Birds, I have a bunch of extra goodies like a contest to get signed copies for sharing Candle & Crow on social media, and new Oberon bookplates, and news about print editions of Oberon’s Meaty Mysteries. And over on Chuck Wendig’s blog, Terribleminds, I kinda geek out about how the sirens you see on the cover (the bird women) were always supposed to be bird women instead of mermaids with a come-hither look. Here I’d like to geek out about some other stuff that isn’t on the cover: THE BLUE MEN OF THE MINCH.

I don’t want to spoil anything here about what the Blue Men are up to in the novel, okay? I just want to gush about how freakin’ cool they are as magical critters. Because they’re fairly unique in the world’s mythologies: There aren’t parallels for them like there are for many other monsters and gods. For example, there are many thunder gods and goddesses of wisdom, gods of the sea, gods of fire, and so on. There are likewise many water spirits, treefolk, and variations on brownies, kobolds, you name it. But there’s nothing anywhere like the Blue Men of the Minch. They’re uniquely Scottish.

The Minch is the stretch of sea betwixt the Outer Hebrides and the mainland of Scotland. It’s been one of the busiest shipping lanes in the world ever since there was shipping. Vikings came through there and raided. There are regular ferries scurrying back and forth all the time. And just a huuuuge buttload of cargo from around the world passes through there every day.

The Blue Men will drag you down to the ocean floor—they have plenty of parallels in that sense—but where they differ is that they’ll give you a fighting chance first. Or rather, a verbal chance. You want a captain who can think quick on his or her feet, because the Blue Men will speak a couple of lines of poetry at you, and if you reply in kind, they’ll allow you to pass. Reply in prose, however, or be rude, and you’re going to be breathing seawater very shortly. There are plenty of theories about the origins of the Blue Men and attempts to explain what they “really” were, like maybe a tattooed guy in a canoe who might look like he’s rising out of the water, and you can check them out on their Wikipedia page, but come on. They’re cool Scottish members of the Fae.

So you have the Blue Men to look forward to; the continued struggles of the Crow Whom You Know; Al and Buck’s shenanigans; Nadia’s enterprise with Lhurnog the Unhallowed; sirens who aren’t sex fish; and you’ll finally see the shite that Gladys Who Has Seen Some Shite came to see, and so much more. It’s a book chock full of stuff and things, and I hope you’ll enjoy and get your friends in on the fun. Thanks so much for reading!

A new Oberon story every month

January 19, 2024
Majestic wolfhound is majestic. Photo by @the_wolfhounds_of_denman on Instagram. Used with permission.

Hey Spiffy Peeps, I’ve moved my newsletter to a platform called Ghost for several reasons:
1) It allows comments without spam! I love it. I had to turn off comments on my blog years ago because of it, and I still deal with it regularly whenever I post on FB, but this has been great so far.
2) My posts stick around. With my former newsletter it would just disappear after emailed, so there was no real archive for folks to explore. And: no comments unless they replied to my email.
3) There’s some outstanding photography support for galleries; so long as you are viewing in the browser, you can click on a picture and it will embiggen and sharpen, then you can even zoom in for closeups.
4) The primary reason that is relevant to the post title is that Ghost allows me to offer free posts as I always have, but also offer a paid subscription so I can write a new Oberon story for you each month in 2024. They’ll be bathtime stories like Atticus told him throughout the Iron Druid Chronicles, so you might learn a little about a historical figure and then enjoy Oberon’s attempts to fit it into his worldview of morality, where squirrels equal evil and sausage is so very, very good. Think of it like this: you give me money for a taco, and I write you a short story and deliver it to your inbox. The twelve stories will be collected at the end of the year and recorded by audiobook narrator Luke Daniels, and if you subscribe for the year, you’ll get a download code for it (in 2025). Plus I’ll commission new Oberon art from artist Galen Dara. So your subscription will support me, Luke, and Galen. You’ll also get a gallery of spiffy nature photos from me and my Mom each month.

The newsletter/site is called Words & Birds. I just sent out my first free post and you should check that out to see what the free stuff is like—it’s reading recommendations and updates on my own writing shenanigans. The first Oberon story goes out next week, and it’s set in the Netherlands during World War II. So please subscribe at whatever level works for you, eh? Mostly I simply want to connect with y’all so I’m not dependent on some tech bro’s algorithm to keep you up to date.

CANDLE & CROW, the third Ink & Sigil book, has been turned in and the wheels of production are turning. I’ll have a cover reveal for you early next month, and it’ll be out October 1! Woohoo!

Peace & tacos, friends. Can’t wait to see you at Words & Birds.

Year-end roundup

December 15, 2023

Grateful for y’all for so many reasons, but thinking back to the beginning of the year, a huge horde of you helped save our friend’s life. Ayesha had chronic leukemia and was getting terrible care in Texas, so you donated tens of thousands and she was able to get top-notch care in Denver. Her bone marrow transplant was successful and she’s still here because of you. Thank you.

On the bookish front, thank you for making A Curse of Krakens a USA Today bestseller and telling folks about the Seven Kennings. Finishing an epic fantasy trilogy—an unusual one folks haven’t seen before—was one of my top personal and professional goals, and I’ll always be proud that I Did the Thing. And of course I’m delighted that folks are digging how it ends, because I’m getting some super kind emails and seeing some nice posts here and there, and I’m told the reviews are positive too (Mom lets me know about reviews since I don’t read them, reviews are for readers). If you’d like signed copies of the trilogy (or any of my books), Worldbuilders Market has a bunch and The Poisoned Pen and Mysterious Galaxy have quite a few too, just give those stores a quick google and a call.

Speaking of bookstores—shoutout to all the folks who came to see me on tour and the wonderful bookstores that hosted me. Cheers to the hundred folks who joined me at Cornish Pasty in Scottsdale—like the family that flew down from Alaska! So much fun to hang out. And the seven readers joined me for dinner in Minneapolis were just luminous beings who made me smile. That was a heck of a dinner. WE HAD GOURMET SAUSAGES and a bananas foster that was an architectural marvel of a dessert.

If you dig podcasts, I talked for an hour (and there’s video too) with Adrian and MJ with the SFF Addicts podcast. We talked urban and epic fantasy, A Curse of Krakens, and more, and they have convenient chapters to skip to if something looks particularly interesting. It was a wide-ranging conversation and entirely pleasant.

How about I share a few books that I enjoyed this year? Shoutout to all the brilliant authors out there telling great stories that teach us how to be better humans. I obviously can’t keep up with all the awesome stuff being published, but here’s a selection of what I fed to my eyeballs:
The Saint of Bright Doors by Vajra Chandrasekera
The Bone Shard War by Andrea Stewart
Black River Orchard by Chuck Wendig
Midnight at the Houdini and Bloom by Delilah S. Dawson
Zero Days by Ruth Ware
Cult Classic by Stephen Blackmoore
Spring’s Arcana and The Salt-Black Tree by Lilith Saintcrow
The Dead Take the A Train by Cassandra Khaw and Richard Kadrey
The Valkyrie by Kate Heartfield
System Collapse by Martha Wells

Regarding that last title—the latest in the absolutely fabulous Murderbot Diaries series—I am so happy to hear that Apple TV is going to develop that series starring Alexander Skårsgaard! For reasons!
1) It’s a fantastic series and if you haven’t read it yet then you need to begin
2) Original SF instead of yet another reboot of old tired stuff? YES PLEASE
3) I am just dang happy for Martha

News from me: I am almost finished with Candle & Crow, the third and final Ink & Sigil book, which will be out next October. I will also have a new Oberon’s Meaty Mystery for you to read in the new year that takes place right before Candle & Crow. It’s called The Chartreuse Chanteuse, and will be one of three novellas you can enjoy in Canines & Cocktails, a themed collection of novellas featuring dogs & drinks that I am publishing with Chuck Wendig and Delilah S. Dawson. Here, you wanna see the cover? It features Oberon and Starbuck, of course, and the golden retriever up top is Gumball from Chuck’s story, and the pit bull is Peach Pit from Delilah’s story.

Cover art by the legendary Galen Dara!

The Chartreuse Chanteuse is the long-awaited happy-ever-after for Atticus, Oberon, and Starbuck. You won’t want to miss it. Luke Daniels has already narrated the audiobook and I can’t wait to share it with y’all. Stay tuned for more details on the release date!

I will also have a science fiction novella coming out next year, probably the summer, called The Hermit Next Door. That will be my second foray into science fiction. (Did you miss my first? It’s called A Question of Navigation, and while the print edition has sold out, it’s still available in ebook and audio narrated by Luke Daniels.)

Levi is home for the holidays and right this second is sitting next to me reading The Hidden Life of Trees by Peter Wohlleben. I’m typing this blog and they are reading and we are both snuggled up in blankets and it’s just the best. I wish you and your loved ones a warm and fuzzy season full of hugs and contentment, with that food you dig and that drink that makes you happy, and that 2024 brings you every good thing as we walk this wide and winsome world together.

Why Preorders Are Gold

September 29, 2023

You may have noticed that authors really, really like it when you preorder. I’m no exception: If you offered me either a preorder or a taco, I’d have to apologize to the taco, tell it that it did nothing wrong because it’s perfect, and still take the preorder. Why are they so spiffy? An attempt to explain, perhaps not exhaustive but hopefully not exhausting:

Preorders are the ultimate indicator of buzz, because if folks are willing to put money down in advance, well, that talks much louder than someone saying in a social media post that they’re looking forward to reading it (though that’s great too). And if bookstores and the publisher see buzz surrounding a certain title, then things start happening that might not have happened otherwise. What things? Well…

•An indie bookstore with limited shelf space might decide to stock copies of a book they weren’t going to stock before. Let’s say our fictional bookstore, Taco Bout Books, can bring in ten new titles on a release week—they probably have to get rid of ten titles too—but dang, there are probably seventy, eighty, even five hundred new titles to choose from. Which ones are they going to pick? Well, if they have preorders for your book, it’s more likely they’ll pick yours. They might even make a stack on a front table and face it out so people can find it easily. And if they have copies available in store, then the chances of people discovering your book increase dramatically. Because they can’t discover you if the store isn’t stocking your book. So preorders can ultimately increase visibility and distribution, which can lead to more sales.

•A preorder is a guaranteed first-week sale, which is the most important week in a book’s life cycle. It’s the week you’re most likely to hit a list, for one thing, and hitting those lists help authors write more books later. But even if they don’t hit a list, that first week’s sales get a hard look by publishers when it’s time to decide on future contracts. So every first-week sale is important downstream. To be clear, I’m grateful and happy whenever folks buy a book! But first-week sales are the most helpful career-wise, so writers understandably dig preorders for that reason.

•Sometimes a publisher might look at preorder numbers, see they’re kinda strong, and throw some extra marketing resources at a title to see if they can juice it up a bit more. Those resources can manifest in different ways, but the key is that this extra juice happens solely because of preorders. Authors love extra juice. Sometimes they like it in a box or pouch with a straw, sometimes mixed with gin, and sometimes in marketing dollars.

•Digital platforms have to decide which books to put on their front page, and front-page visibility helps a lot, as you might imagine. And they’re going to pick the buzzy books. Strong preorders mean buzz. Even if a digital retailer is being paid by a publisher for front-page visibility, what’s the publisher pushing? Buzzy books. This is true in ebook and audio too. So your preorders in those formats help as well!

All of which is to say, preorders are the One Weird Trick to make sure you get to write more books. That’s why you hear writers talk about them a lot, offer special deals for swag, and so on. For example, if you preorder A Curse of Krakens from any store in any format and upload your confirmation or receipt to the form at this link, you’ll get a free short story in the Seven Kennings universe called “A Whisper of Snakes.” I’ve done fun little pins in the past, bookmarks, doohickeys, cursed garden gnomes—you have to try stuff. People are digging the story, though—it features Abhi, Murr, and Eep.

If you’d like to preorder a signed copy, please order from any of the following indie stores and specify you want it signed either in special instructions online or by saying so over the phone. I’ll sign it the day I visit the store and they’ll ship to you wherever you are.

Old Firehouse Books, Ft Collins, CO (970) 484-7898
Tattered Cover, CO Springs (719) 602-5300
The Poisoned Pen, Scottsdale, AZ (480) 947-2974
Mysterious Galaxy, San Diego, CA (619) 539-7137
Schuler Books, Okemos, MI (517) 349-8840
Bakka Phoenix, Toronto, ON (416) 963-9993
Perfect Books, Ottawa, ON (613) 231 6468

And of course I hope you’ll come see me on tour if you can! Thanks for reading whenever you read. You deserve a taco.

Update on the updated update

September 24, 2023

Hey buds,

A whole honkin’ buttload of you helped us out with the medical costs of our friend, Ayesha, who had chronic leukemia and needed treatment in Denver. The bone marrow transplant was successful—hooray!—and holy cow, you helped save her life. Thank you. Can’t thank you enough, really (and those doctors in Denver who know what they’re doing).

However, Ayesha still has three to four appointments a week for various therapies, tests, and treatments, and needs to stay in the Denver area another year. I’ve been taking care of Ayesha’s housing this year but cannot afford to continue that. Downtown Denver’s rent, as they say, is nucking futs, so we are looking to move her someplace more affordable now that she doesn’t need to be so close to the hospital. So: If you wish to help out by donating to Ayesha’s gofundme, we would of course be turbo grateful, but we would also hook you up with a signed book or two. What we’ve done thus far is get you a book for every $50. After you donate to Ayesha, screenshot the confirmation and email my assistant/amazing spouse, Kimberly, and let her know two things: 1) what you’d like from the list below (while supplies last) and 2) your complete shipping address. The email to use is treats [at thingie] kevinhearne dot com. (I spelled it out in an attempt to foil internet scrapers, but what the heck, let’s be real, they are probably watching me type this right now.)

Here’s the list:
Iron Druid Trade Paperbacks, the revised and expanded 10th Anniversary Edition with bonus goodies:
Hounded: 0 (sorry)
Hexed: 4
Hammered: 7
Tricked: 6
Trapped: 5
Hunted: 5
Shattered: 23
Staked: 22
Besieged: 19
Scourged: 23

Subterranean Press signed special edition hardcovers:
Hounded: 0
Hexed: 0
Hammered: 10
Tricked: 12
Trapped: 16
Hunted: 22
Shattered: 22

Thank you again. I appreciate you all so much and am grateful to you for reading. I hope to see you on my tour for A Curse of Krakens in November if you’re able to make any of these dates. Super excited to see you!

Tour math

September 15, 2023

Piggybacking here on an excellent post by Chuck Wendig about why we gotta have bookstore events. It’s a great dive into the whys and wherefores and you should definitely give it a read—I nodded and said “Yep, yep, yep” though the whole thing.

Chuck’s main argument is that publishers might not be supporting bookstore events because they’re not mega profitable in the immediate spreadsheet sense, but they are actually profitable in many ways that aren’t obvious to a bean counter looking at one night’s event sales.

To be fair to the bean counters—they are correct in that events are often not immediately profitable. You have to sell a fairly large buttload to make events profitable on one night’s balance sheet. So let’s MATH a bit, then circle back to why we have to look beyond that.

A Curse of Krakens, when it comes out November 7, will be going for $32 in hardcover. It’s a big chonker of a book with a spiffy map on the endsheet. Retailers like your local indie plus bigass megacorporations buy the books from the publishers at a discount, of course, and then they sell them for cover price and have to make their payroll and such and hope there’s profit when that’s all done. This can vary a bit depending on the retailer—discounts from the publisher start at 40% but can go higher depending on volume and other stuff. But let’s imagine a new indie store that hasn’t really earned big discounts yet called Taco Bout Books. If Taco Bout Books wants to stock A Curse of Krakens, a 40% discount means it’s paying $19.20 to the publisher. So if it sells a copy to you at cover price, Taco Bout Books makes $12.80 per copy. A large amount of that is going to pay for labor and insurance and rent and utilities and shipping and such and then, if there’s any profit left over, maybe they have taco money. If you are getting any discount from the store, that’s all on them—they’re reducing their profit margin.

(Let me say right now I’m not discussing ebooks or audiobooks—they’re not usually part of bookstore event math because while some indie stores offer both, it’s not, to my knowledge, a huge slice of any pie. We’re dealing with paper copies here.)

Margins are of course slimmer on mass market and trade paperbacks because the price point is smaller to begin with. An $8.99 mass market paperback costs the store $5.39 to stock. They therefore make $3.60 per copy sold, and after you pay for overhead, there’s not even taco money left unless you are selling a huge buttload of them. There’s one indie store I know of that’s very transparent about their costs: They have to sell 3200 books a month to break even. And they often don’t make it for most of the year; they wind up depending on the holiday season to have a ridiculous couple of months that make up for all the shortfalls. Most indie stores are in this boat. Months of panic and fervent prayers that the holiday season will allow them to stay open.

But one thing—a huge thing—that helps smooth out those troughs and meet payroll is store events. Because a good event brings in a bunch of readers who might not normally walk in, and they often buy more than just one book while they’re there. That part is like, TURBO CRUCIAL. Virtual events, from all I’ve heard, don’t cut the mustard; people might buy the book that’s being promoted but they don’t buy a lot of other stuff. At in-person events, folks might buy other goodies with higher profit margins than books, too—which is why you see so many weird tchotchkes in bookstores. And then those new customers might come back again for more events and become regulars. Events are, in many ways, key to an indie bookstore’s survival. Which is why bookstores are really worried that authors aren’t having as many events, that publishers aren’t sending them, and some events are sparsely attended—events are not only what make a bookstore profitable, but financially possible. And COVID wrecked a lot of that.

More math, but from my side: Publishers pay authors a 10% royalty on the cover price for hardcovers. (Yes, there are variations in this rate, but I’m using a very common one.) So, if you buy a hardcover copy of A Curse of Krakens while I’m on tour, I’ll get $3.20 regardless of any discount you get when you buy it (because the discount is coming from the retailer’s profit margin, not my royalty.) You will, in effect, have bought me a street taco. Thank you. (Usually—again, there are variations—authors get 8% for mass market and 12% for trade paperbacks, which doesn’t quite equal a taco, but if you buy a couple of those then we will unlock the achievement: Taco.)

So here’s what’s happening: Travel is ridiculously expensive and daaaang does that eat into everyone’s taco money. You have to plane, train, or automobile to the city the event is in. You have to rent a room to sleep in. You have to eat a food or three, and it all adds up. So let’s look at what it’s gonna take to get me to my first event in Ft Collins, CO, on Nov. 7:
Flight from Montreal to Denver: $390
Rental car to get my butt to Ft Collins: ~$100
Hotel: ~$130
Three Foods for the day, keeping it cheap at an average $20 each, so call it $60
Total: $680

Who’s paying for all of that? The publisher, the author, or some combo of the two? Let’s say it’s all me (it isn’t) just to do the math on my side because I can’t even begin to do the math on the publisher’s side (I have no idea what their overhead is. Out of the $19.20 they get for a copy of A Curse of Krakens, they pay me $3.20, so they are really working with $16 to pay for their overhead, which is in New York and involves numerous editors and an art department and accounting and shipping and warehousing and printing and marketing and so on). If I am paying all costs for the trip and make $3.20 per copy, I’d have to sell 213 books in Ft. Collins to break even on my travel costs. I would be delighted, of course, if that happened, but it’s unlikely, y’all. I’m simply not that big a deal. But that math right there is why bean counters are looking at events and going, you know what? Events aren’t profitable. You have to be a pretty big deal to move 200+ books at an event. (Bookstores on the other hand are delighted with an extra 50-100 books sold on any given day.)

Lowering travel costs obviously helps—I’m keeping the rental car to get to my subsequent dates and avoiding the expense of airfare until I leave San Diego—but still. I’m not going to be swimming in tacos at any point. I’m giving away my tacos by touring. So why do it?
1. Because of all the stuff Chuck said in his blog, and it was a lot
2. Because I like people who read and want to meet them. They’re the best people
3. I love bookstores. The way they look and smell, the sheer monument to human achievement and creativity they represent, and some of them have shop dogs and I get to pet them. (Shoutout to Fern in Capital Books on K in Sacramento, CA! She is a very good dog and has her own account on Instagram, @bookstorefern)
4. I’m still amazed that people want to read my books and have me sign them. It gives me warm fuzzy feelings that counterbalance the months of existential dread and self-doubt one feels while working alone. Plus it’s good to get out of the house. Events are necessary for my well being.

I’ve been touring since 2011. Last year I did four tours—three in the US and one in Europe—and not a single one of the tours was profitable to me personally or my publisher if you look at just the event sales in isolation. Travel costs always eat up the sales. But every tour was worth it to me and definitely to the bookstores—and therefore to the publishers, if they’d like to continue to have bookstores in which to sell their products. (Every indie shop that shuts its doors is one step closer to a giant anti-union megacorp running everything.) Hopefully these tours were a good experience for readers, too—happy readers keep reading and buying books on other days than the event days, and they spread the word and more sales are generated down the road because of the events, but just because that’s impossible to track, we shouldn’t conclude that it’s not happening or that events aren’t worth it.

All of which is to say: I hope you’ll go to events. Because they’re fun, and bookstores are rad, and money isn’t the only thing we should be considering here. COVID still exists, so wear a good mask for safety. And if you can’t go to events, you can support the stores (and the authors) by preordering signed copies to be shipped to you. That helps everyone because you get a signed book without moving from your reading chair and the stores who host authors can keep the lights on and maybe buy a taco.

My tour schedule is below, and I’m super excited to see everyone. I’ll point out one event in particular—Nov. 10 in Scottsdale. A couple doors down from The Poisoned Pen is a pub called Cornish Pasty with a large outdoor seating space. I’ll be there at 5 pm before the event and there might be Irish wolfhounds there too. So please drop on by and say hi, let’s have a drink and a pasty and chat if you feel like it before we go get bookish at 7.

And go see Chuck on tour if you can! And any other authors coming to your local indie or your local B&N. Stores often have event calendars and email newsletters telling you who’s coming in the next month. Become a member of the literati illuminati! It’s fun for the whole family.

Regardless: Thank you for reading (or listening if you dig audiobooks). People who read are the bestest peeps.

Readalongs Ahoy

August 14, 2023

Prior to the release of A CURSE OF KRAKENS in November, I’ll be doing readalongs for A PLAGUE OF GIANTS and A BLIGHT OF BLACKWINGS in September and October, so whether you’re new to the Seven Kennings or want to reread and refresh and spot all the spiffiness, we’ll have a good time! You can participate live on Wednesday nights at 7 pm Eastern with me on Instagram Live, and if you happen to miss them I’ll save them to my feed so you can watch them later. We’ll divide each book up into quarters, so here’s the schedule:

September 6: A Plague of Giants Part 1, Days 1-5 (pages 1-214)
September 13: A Plague of Giants Part 2, Days 6-10 (pages 215-386)
September 20: A Plague of Giants Part 3, Days 11-14 (pages 387-534)
September 27: A Plague of Giants Part 4, Days 15-19 (pages 535-724)
October 4: A Blight of Blackwings Part 1, Days 20-23 (pages 1-176)
October 11: A Blight of Blackwings Part 2, Days 24-27 (pages 177-311)
October 18: A Blight of Blackwings Part 3, Days 28-33 (pages 312-499)
October 25: A Blight of Blackwings Part 4, Days 34-39 (pages 500-674)

So what’s a readalong? Methinks it varies! But mine will go thusly:
1) I’ll address some general goodies to look for or keep in mind—that might be thematic or something regarding the story structure or a character or dang near anything, really.
2) I’ll read a passage here and there and discuss what the heck I was thinking when I wrote it, talk about character journeys
3) I’ll address questions y’all submit via the fun little question-mark thingie at the bottom of the Live screen.
4) At the end of each book, I’ll give away my annotated copy to someone who’s participating live!

My annotated copies of A Plague of Giants and A Blight of Blackwings.

Happily, these books are in mass market paperback format, so they’re cheap! (Ebook and audio versions exist too.) You can pick them up wherever you like to buy books, but this handy landing page for A Plague of Giants will give you a bunch of places online to grab one in any format, and you can also grab A Blight of Blackwings when you’re ready. If you preorder A Curse of Krakens in any format from any vendor, you will get five bajillion good vibes, plus a free short story to download called “A Whisper of Snakes” when you submit your confirmation screen or receipt.

In case you’d like one, there are signed first edition hardcovers of A Plague of Giants available from Worldbuilders Market. Proceeds from your purchase goes to a number of humanitarian charities.

And what, pray tell, is the Seven Kennings all about? Quite a bit. How we endure and rebuild when the world crashes around us. How a nation’s priorities are reflected in who prospers and who doesn’t, whose stories are told and whose aren’t. How we can coexist with nature and each other. But the kennings themselves are deep magical ties to elemental forces that anyone can tap into if they’re willing to risk their life for it. The first kenning is fire; the second is air; the third is earth; the fourth is water; and the fifth is plant life. When A Plague of Giants opens, the world knows of five kennings and assumes there is a sixth, an affinity with animals, that hasn’t been discovered yet. A seventh isn’t even dreamed of.

I hope you and your friends will join in. There are twenty-two different narrators to love in this trilogy and they’re all kinds of people—young and old from different backgrounds, different orientations, and possessing very different goals. So let’s sink your reading teeth into a juicy epic, yeah?

Cochinita Pibil

August 2, 2023

You’ve probably had carnitas, yeah? Slow-cooked shredded pork shoulder in a suite of spices. Cochinita Pibil takes carnitas up a notch or five, a recipe hailing from the Yucatán peninsula. I’ve had it at a few taco joints now and it’s always amazing, so I had to learn how to make it at home. Cochinita is a suckling pig, which we aren’t doing, and Pibil means pit cooking, and we aren’t doing that either. So this won’t be traditional stuff—I’m using modern cheats that deliver a turbo tasty result with a bit more convenience. (If you missed my other homage to Mexican cuisine, a simplified chicken posole, you can peruse that at leisure.)

First thing: You need achiote paste. That’s the key ingredient here and you can’t switch it out with something else. But it’s not usually available in most grocery stores, so this is going to require a trip to a Latin market near you. And the trip is worth it. I checked prices: A certain giant retailer named after a river in South America was offering a 3.5 ounce package at $9.49 Canadian. Same exact product at the Latin market? $3.49 Canadian. That giant river can go eff itself.

So! Grab yourself a pork shoulder at the grocery. If you’ve never bought one before, you’ll discover that it’s pretty economical compared to a lot of other meats. I went down the US for it and got a 4 lb. shoulder for $7.76. It’s netted, and you gotta free it from the net and then cut it into chunklets about 1.5-2 inches. You don’t have to worry bigly about variations—you’re going to shred it later. The chunks help it all get cooked and tenderized properly. Throw your chunklets into your crockpot or other slow cooker. (You do this before you go to work and it’s ready when you get home.)

Now we make our marinade. Here’s whatcha need to throw into a blender:
1 3.5 oz package of achiote paste
1 cup fresh-squeezed orange juice, don’t use Minute Maid dang it
1/2 cup fresh-squeezed lime juice, squeeze it yourself
1 teaspoon cumin
1 teaspoon oregano
1 cinnamon stick—yeah, for reals

That’s the bit where you can get creative. Add other spices, onion, garlic, whatever you like. Everything is negotiable except the achiote, orange, and lime juice. If you’re doing it old-school then you’re using bitter Seville oranges, but those aren’t things you find in Canada, eh? So the combination of regular orange juice and lime juice is a workaround. I found that four limes’ worth of squeezins got me a half cup, but your mileage may vary.

Blend it on medium or high until the cinnamon stick stops making heinous crackling death screams. It will look like you killed the neighbour who lets his Chihuahua poop on your lawn and now you’re making a smoothie out of his inconsiderate heart.

Pour your bright-orange marinade over your chonks in the crockpot/slow cooker, turn that sucker on low, and go to work— AFTER you wash out that blender, post-haste, because achiote stains like a mofo.

If you wanted to adhere a bit more closely to traditional methods, you’d be marinating the meat overnight and then wrapping the marinated meat in banana leaves and cooking them in a pit. The slow cooker allows us to marinate and cook at the same.

So you’ve gone to work and made that money. You come home and your house smells amazing. Your dog, if you have one, has spent the entire afternoon drooling on all your furniture. Everything glistens. Grab two forks and put on a playlist of your favorite heavy metal, then you and your band just start shredding. (If I may suggest “Redneck” by Lamb of God, you’ll have that cochinita shredded in no time.) The pork chunklets are gonna be so tender that they’ll practically auto-execute the shred command, and once that task is finished, it’s time to go down to taco town. Oh, and remember I said that the achiote stains? I’d recommend shredding on some aluminum foil or something to protect your fine counters/cutting boards. In the picture you’ll see the chunklets on the left, shreds on the right. I placed the meat on a taco, then spooned some juices back on—get it wet. There’s a lovely sweetness to the meat because of the orange juice.

You don’t need a lot else to serve this up: Corn tortillas, pickled onions, cilantro, and That Thing You Like to Drink with Mexican food. These days I’m into Corona Sunbrews—they taste exactly like regular Coronas. Cheers, friends!

A Curse of Krakens

February 15, 2023

Epic fantasies are hard. Some of them never get finished, because dang, they’re long and difficult to write, especially if you’re trying to take the road less traveled. But I’ve finished the Seven Kennings trilogy, and the third book, A CURSE OF KRAKENS, comes out November 7. I’m super proud of it and have given myself a pat on the back for Doing the One Big Thing I Always Wanted to Do. Here’s the cover:

That’s the zephyr Koesha Gansu featured there, one of twenty-two narrators we meet throughout the series. Choosing just three of them to appear on the covers was difficult, and writing the flap copy was likewise a challenge—we wound up choosing three characters to feature for each book because we couldn’t possibly fit all the story threads in such limited space.

So how does this trilogy represent a road less traveled? Well, in terms of its structure, it might actually be unique. I don’t want to say definitively that it is, because maybe I’ve missed that someone else has already done it, but so far as I know, this is the first epic fantasy told through twenty-two first-person points of view. It jumps around in time as well, so that’s fun. Twenty of the points of view come to us courtesy of a bard, who can magically take on the physical appearance and voice of others, and he does this to weave a tale for a live audience over the course of fifty-four days, involving a war against giants and wraiths and including extraordinary animals, spies, love (all kinds), a revolution against a monarchy, and lots of cheese and mustard. The points of view feature the young, middle-aged, and seniors from a variety of backgrounds and identities. We’re not just hearing from political leaders or great warriors, either: we’re hearing from a language scholar, a lovelorn courier, an unhoused girl who slept on a muddy riverbank, and more. It was my attempt to update the experience of Homer sharing The Iliad and The Odyssey for a modern prose audience—could I give readers the chance to experience an epic in that way? And could I maybe try some other different goodies?

For example, lots of epics deal with maintaining or restoring a monarchy, a horrific system of government in which the masses are exploited for the benefit of the rich. That’s not so very different from capitalism, so those stories have their useful parallels! But what if we could try some new shit? Like, a system of government formed on the principle that compassion is the only moral use of power? Very few revolutions in fantasy are progressive, so what would that look like? I gave it a shot.

Other things I did are not unique or even unusual but rather things I heartily agree with and appreciate when I read them: There’s no sexual assault, no slavery, and queer folks get happy-ever-afters.

AND THERE ARE MAPS. I love fantasy maps. I especially love that I got to do my own. The same map appears in the first two volumes, but in A CURSE OF KRAKENS, there are two new maps to enjoy! Yeah. I geeked the heck out.

I must give enormous credit to my editor, Tricia Narwani, for her support of a project that was not the usual. If no one had ever written an epic with 22 first-person points of view before, nobody had edited one before either. She’s brilliant. And to help readers keep the narrators straight in their minds, she commissioned portraits by artist Yvonne Gilbert to be included at the beginning of each volume. Gonna give y’all a treat and show you the new portrait of Nara du Fesset, who was featured in the first two books in others’ narratives but becomes a narrator herself in book three:

Nara du Fesset by Yvonne Gilbert.

For those of you already familiar with the story, Nel Kit ben Sah’s cousin, Pen Yas ben Min, becomes a narrator in this volume, as does Hollit Panevik, the chef and owner of The Roasted Sunchuck who happens to be a firelord. When she puts down her wooden spoon and gets involved, things happen. And of course you’ll get to enjoy the return of favorites like Tallynd, Abhi, Hanima, Gondel, and Daryck. Please spread the word and get your friends on board, eh?

For those of you who aren’t familiar yet, the Seven Kennings begins with A PLAGUE OF GIANTS and continues with A BLIGHT OF BLACKWINGS. I hope you’ll give it a try, especially now that you know it’ll be completed. Thanks so much for reading and sharing—it means the world and I appreciate you.

Update on the situation

December 26, 2022

(This update has been updated!) Hey y’all, thanks so kindly for your donations to Ayesha’s care and the sweet messages you’ve been sending along. We appreciate you so much. I have some updates!

  1. Ayesha is currently out of the hospital after the first round of chemo to get the leukemia under control. They’re going to move forward with bone marrow transplant now, but that’s a long process.
  2. We sent out the first big batch of books just before Christmas, sent the next big batch after the new year, and now we’re on to the third big batch!
  3. If you’d like to donate $50 to Ayesha’s medical expenses (because American healthcare is hella expensive), I’ll give you a signed book from my author copies, shipping included, for every $50 you donate. You just donate here, screenshot your receipt, and email the screenshot along with a shipping address (that’s very important) and your book request to treats@kevinhearne.com. (And yes, we do ship internationally, we’ve already sent stuff to Germany and Norway.)
  4. Because the first books in series are (for obvious reasons) the first to go…I’ve run out of those. But I have good numbers for a lot of other titles! Please see the list below to aid you in making your request. And thank you so much again.
I’m out of Blackwings hardcovers—the ones you see are spoken for—but you can see the mass markets up front and the UK editions in the back—those have different cover art and are slightly larger.

Key:
HC = Hardcover from Del Rey
SP HC = Subterranean Press Hardcover edition (exclusive cover and interior art)
TPB = Trade Paperback (larger sized paperback)
MMP = Mass Market Paperback (the “normal” smaller sized paperback)

Hounded: 0 (Sorry, out of stock)
Hexed: 5 TPB
Hammered: 13 SP HC, 7 TPB
Tricked: 17 SP HC, 8 TPB
Trapped: 20 SP HC, 6 TPB
Hunted: 25 SP HC, 8 TPB
Shattered: 27 TPB
Staked: 25 TPB
Besieged: 19 TPB
Scourged: 1 HC, 24 TPB, 5 MMP
The Purloined Poodle: 0 (Sorry, out of stock)
The Squirrel on the Train: 0 (Sorry, out of stock)
A Question of Navigation: 2 SP HC
Ink & Sigil: 5 TPB
Paper & Blood: 12 HC, 23 TPB
A Plague of Giants: 0 (sorry, out of stock)
A Blight of Blackwings: 17 MMP, 15 UK editions (TPB)
Kill the Farm Boy: 4 HC (out of stock of the TPB)
No Country for Old Gnomes: 5 TPB
The Princess Beard: 3 TPB

Author of The Iron Druid Chronicles, Ink & Sigil, the Seven Kennings trilogy, and co‑author of the Tales of Pell

© Kevin Hearne. All Rights Reserved.

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